Showing posts with label My week in media. Show all posts
Showing posts with label My week in media. Show all posts

Thursday, October 13, 2011

My week in media: October


Fake NPR piece for creative writing 101.

There has never been a better time to drink beer in America, and with the economy in shambles, it’s tempting to reach for the cheapest option on the menu, but savvy drinkers turn to craft beers for superior tastes and experiences.

My story begins at 2:30 A.M. on a Saturday morning in October, which is when my friend Marc rouses me from sleep. We drowsily get in the car, merge onto the highway, and embark on a three-hour car ride to Founders Brewing Company in Grand Rapids, Michigan. Founded in 1997, Founders brews some of America’s finest craft beers including Cerise Cherry-Fermented Ale and Dirty Bastard Scotch Ale. As we careen toward The Great Lakes State, only one thing comes to mind: Canadian Breakfast Stout, or CBS, for short.


CBS has a legendary reputation in craft beer circles. It is a double chocolate coffee oatmeal stout aged in bourbon and maple syrup barrels. It pours dark as oil, caresses the palate like fine wine, and commands a rabid following. When we arrive at the brewery at 7:30 A.M., a line of 300 has already formed. We take our spot at the end and wait.

The local temperature hovers at fifty degrees. The sun refuses to peak. Antsy connoisseurs jog in place to stay warm, and the smart ones drink beer. Marc and I have forgotten our stash, and so we endure the wait soberly.

At 11 A.M., after three-plus hours of waiting, of paying our dues, the line moves. It takes another hour to get to the front. There, we buy two bottles apiece at eighteen dollars a bottle. Each bottle holds 750 mL of beer, and since there are fewer than 2000 bottles total, the investment is wise. We now own one of the rarest beers in America.

In the tap room where glasses clink, Marc and I get our first taste of CBS, and it is impeccable. It goes down smooth and wows me with each sip. It is dessert. It is liqueur. No, it is beer, and it is one of the finer beers I have tried, and likely will try.

When we return home, bottles have already hit eBay. They will fetch upwards of one-hundred dollars. I list one of my bottles, and it sells for eighty-two, a return of sixty-four dollars and enough money to cover that weekend’s expenses. Leave it to Americans to buy extra beer to flip on the internet for 500% profit.

The American craft beer scene is having a moment right now. Lifelong beer drinkers have new options at the local tavern. When I drink a Miller or Bud, I mourn the people who won’t get to or don’t care to sample something better. But then I smile because artisans like the brewmasters at Founders stand up to corporate brewers and show them we can do it better. They embody the American entrepreneurial spirit. Cheers to them.

Tuesday, July 19, 2011

My week in media: June & July


"It's good to be back in the USA. Fuck anybody that tells you it isn't the best country in the world."

Bradford Cox, a hero of mine, said this at Pitchfork Festival 2011 during a set that confirms my belief that his band Deerhunter is on top of their game, has been for years, hopefully will be for time to come. This post isn't about Deerhunter, but it is about the USA and an unusual influx of patriotic media on my brainstem.


I started watching The West Wing. It's an excellent drama (-edy? Usually really funny!) about a fictional president and his crew. The characters work too much, walk around all day, sometimes care very much about things, attempt to cultivate social lives, and then walk around some more. They never walk around and drink some more. They sit when they drink. Regardless, each episode has (so far) been superb or at least compelling. My complaint is the same as other people's: The West Wing's corny Full House-ish sentimental network television music and idealism are sometimes blushworthy. But sometimes they feel so good, too. What would DFW say? Is The West Wing
 the least ironic show in recent memory? No se.

Then there's
All the King's Men, Robert Rossen's Best Picture-winning (1949) adaptation of Robert Penn Warren's book of the same name. Main character and humble everyguy Willie Stark (Academy Award winner Broderick Crawford) works his way up from nothing and then breaks bad so hard. His platform of for-the-people and by-the-people--he calls himself a hick---gets convoluted by money and big politics and power tripping and all that. He's a sensation, a governor with Presidential potential. It's Grapes of Wrath, Manchurian Candidate, and All the President's Men (whoa) with probably five newspaper headline montages to boot. It's barely remembered. What a shame.

Finally, E.L. Doctorow's
Ragtime is the finest book I've read this year. The main characters---a family in chic New Rochelle, NY---encounter the poor and the very rich. Doctorow creates an American tapestry. Historical figures are characters. Henry Ford and J.P. Morgan have a dinner date. Harry Houdini gets existential. Booker T. Washington mediates a police standoff. If that isn't enough, it has one of the most memorable race conflicts since To Kill a Mockingbird.

If the United States isn't the best country, it's got to be the best at thinking about whether or not it is.

Sunday, May 1, 2011

My week in media: Apr. 24-30


Been thinking about heavy stuff lately: heavy beers via Dark Lord Day 2011 and heavy breakdowns via Hum's "Dreamboat." When we made it through the Three Floyds gates ~10:30, the crowd was already thick. We got into the guest taps line and bought two beers apiece. Ferrari and I traded often because that's what friends do.  I drank Pizza Port Doheny double IPA and he had Bruery Saison De Lente. U probably haven't even heard of those; suck it. We made it through the guest taps line twice more. Highlights included Cigar City Big Sound Scotch Ale, Stone Double Bastard w/Chipotle, and Southern Tier Mokah. Zombie Dust was snorted too, of course.

While we were in line for the guest taps, a familiar tune came on. It was "Angel of Death" by Slayer. You know and love this song for it is the opening track on Reign In Blood. Everyone's ears perked when the big mosh part came in at 1:30. The clever disc jockey reminded us that beer is best paired with mosh parts. 

The Dark Lord bottle line took less than an hour to get through, and though we didn't win limited edition bottles, i.e., el Muerte, we bought our limits of 4 bottles, left happy (except for Ferrari, who will never be happy unless he finds el muerte, you can be his hero, baby, here), and even got to sample some 2010 stock when a generous bro cracked one and shared the wealth. Dude seriously topped us off 4 times. One of the noblest lords.

The grandest achievement in modern music is the perfectly executed breakdown or mosh part or sludge part or overall heavy part within the alternative/ non-hc/metal song. "Dreamboat" is a fine example and so is "Geek USA." Please recommend me more moments like these. They are the black truffles in my sonic universe. They are the tulip glass to my stout brew, my passion.

Drinking: Three Floyds Dark Lord 2011

Sunday, April 3, 2011

My week in media: Mar. 28-Apr. 3


Spring Break came and went. I drank from a woman's navel, wore sandals with a bottle opener in the sole, and flashed my boobies. Now I'm back in dreary Downers Grove. Not to fear; I'm going to visit Texas State in San Marcos on Friday. That means I'll be in and around Austin, which is the most-relevant city in Texas. Gotta find a way to book The Friend Zone for SXSW next year.

Watched a shit-ton of movies. My reviews:

Being There - More confusing than the book, but there was Peter Sellers.
The Squid and the Whale - Glad I didn't watch this one on the ol' HP. Listened to the Postal Service shortly afterwards.
The Hammer - Marc and I didn't hate it like Adam Carolla's character hates the tar flats.
Homicide - gritty.
The Life and Death of Colonel Blimp - 2 beer breaks and a coffee break.
127 Hours - You wouldn't have to twist my arm to make me watch this again.
Sleeper - My girlfriend hasn't seen Annie Hall.

Remember when you made me travel guides for NYC? One for Austin would be helpful.

Drinking: Big Sky Moose Breath

Sunday, March 20, 2011

My week in media: Mar. 12-19


As a youngster, Steven Soderbergh's Sex, Lies, and Videotape popped out at me from the Blockbuster (RIP) shelves with its title and evocative cover. I was afraid of it, and I knew I wanted to see it, but because of BB's family-friendly policies, I couldn't.

S, L, & V came out at a weird time (1989). I was too young for it then, and when I turned 17, it wasn't even on my radar. American Pie and There's Something About Mary must have warped my poor mind w/r/t films about sex/ masturbation/ relationships; I don't think I would have appreciated S, L, & V, even though it's more f'd-up.

With his movie, Soderbergh ushered in the 1990s indie film craze and stoked the careers of Andie MacDowell, Peter Gallagher, and James Spader (who kills it). Connections abound; when I look at my DVD shelf, I see tons of movies influenced by it: One Hour Photo, Closer, Short Cuts, Punch-Drunk Love, and especially American Beauty. In American Beauty, Ricky (Wes Bentley) films Jane (Thora Birch) undressing in her bedroom for him. He zooms in on her face when she exposes her breasts, and while I used to think that his superhuman restraint and dedication to capturing her face was wholly original, I now know that motherfucker was aping Graham (Spader) from Sex, Lies, and Videotape.

(The still-succinct Wiki [but who knows for how long] does a tremendous job at articulating why I'm so fascinated with R.B., and one can apply the content found there to Tommy Wiseau/ Sea of Treasures/ etc., if one is feeling so-inclined.)

Drinking: Firestone Walker Double Jack IPA

Sunday, March 13, 2011

My week in media: Mar. 6-12


A new job with unprecedented downtime means I tear through books like a demon. Am I demon? Evidently so, as I've recently finished David Foster Wallace's Girl With Curious Hair and Denis Johnson's Jesus' Son. Neat ride! Let's do it again!

The stories in Girl w/ C.H. have celebrity characters like Alex Trebek and L.B. Johnson behaving in imaginative and probably uncharacteristic ways, and it is funny. The last piece, "Westward the Course of Empire Takes its Way," is a difficult exploration of meta-fiction and other stuff I don't pretend to understand, but the premise of staging a huge McDonald's commercial in Collision, IL and the characters inability to get there from the airport struck me and will certainly compel me to create bogus locations. Actually, Collision is a lot like Varna, IL, which is real and spectacular. The Pale King drops next month on April 15, tax day. Makes sense, except this year tax day is  April 18. My knowing that brings this blog post pretty much full-circle, wouldn't you agree?

The characters in Jesus' Son couldn't be more different. They are joes and janes with serious substance-abuse problems. These stories are gritty and sometimes terse, but Johnson drops awe-inspiring metaphors and similes on just about every page. A suffocating and uncomfortable collection, the last story, "Beverly Home," offers a brief respite from the gloom by taking us to Arizona, but things get all twisted, and we're left only seeing gray. 

I just ripped a record called Baby I'm-a Want You by Bread. Pray 4 me. 

Drinking: Stone Double Bastard Ale   

Saturday, March 5, 2011

My week in media: Feb. 28 - Mar. 6

A family friend is paying me to convert his records to mp3s, upload them to his iPod, and archive them on a flashdrive. While I could track down the CDs or download the files from the net, I've decided to rip most of these common 70s/80s rock and pop records myself. Not sure why I'm doing it. Perhaps I'm an aural masochist. Perhaps I don't want to attract too much attention to my IP by downloading many gigs of music in a short time span. Or perhaps, there's something more to it entirely. With this project, I can analyze musicians I've written off unfairly, think about genres and musical progression in the past 40  years, and maybe find a diamond in the rough. Hasn't happened yet, but I've saved some hopeful slabs for last.

Something had to be in the water in the 1970s causing song titles to be bad. Here is an imaginary album with my least-favorite (or most-favorite) song titles from the project.

1. Minstrel Gigolo - Christopher Cross
2. Give it All You Got, But Slowly - Chuck Mangione
3. 49 Bye-Byes - Crosby, Stills & Nash
4. Dreams of the Everyday Housewife - Glen Campbell
5. Winelight - Grover Washington Jr.
6. Hand Your Heart to the Wind - John Stewart
7. Have You Never Been Mellow - Olivia Newton-John
8. Fanny (Be Tender With My Love) - Bee Gees
9. (Love Me Like Music) I'll Be Your Song - Heart



When I'm not listening to old-people music, I listen to this Rihanna song.

Saturday, February 26, 2011

My week in media: Feb. 20-26

Bookstores and record stores usually carry ultra-genre-specific music magazines which cost $5+ and should be treated as books, that is, never thrown out. waxpoetics highlights black music (soul, jazz, R&B, rap, disco, electronic) from ~1960-present. The editor wants to understand the elements that gave rise to hip-hop. I've only read two issues, but I read them cover-to-cover, often with no prior knowledge about the musician or movement. Really good magazine if you're into those genres. Here's a track from Issue 45's cover subject. It's Juan Atkins's "Urban Tropics" from 1991's The Future Sound EP.  Minimal Detroit techno with lush synth washes and sneaky melodies.



Don't forget to cop the new Friend Zone EP, either one post back or at this URL, which is The Friend Zone's home on the net.

Saturday, February 12, 2011

My week in media: Feb. 6-12

Odd Future is a band created by/ for/ on the internet. These L.A.-based teenage rappers/ producers/ filmmakers just started emerging from the internet in concert, but for the most part, they still exist entirely on the net. Their tumblr, linked above, serves as database and archive for their recordings where everything is free, and in a day or two, you can get fully acquainted with the crew's output. Obviously, 2dopeboys and nahright haven't been welcoming---OF talks about it in every song---but the rest of the internet has paid attention. As such, I am obligated to blog about them as I am a cog in the blogosphere. Just a cog with a blog.

For a bunch of young men, their vision is surprisingly coherent. Abject videos and lyrics about blood, vomit, rape, and drugs. The music is nightmareish. Minimal beats with unnerving bass and the occasional flourish like in the chorus of "Blow." It all sounds slowed-down, and Tyler, The Creator's low voice is a 45 playing at 33. Climbing stairs, feet plunging through the pulpy wood, Freddy advancing, a nightmare.

Of course, most of it's for show, just fiction, not real. Right?

Here's Tyler's new single, "Yonkers." Hear that oppressive beat? The nails-on-chalkboard chorus theme? See that cockroach? Dude's vision is working for him. This song is hard. 



I have a Supreme hat! I too can swag it out. Not sure what the means. Swag. Free Earl. Maybe this post will be news to someone. A blogger's wet dream. 

Saturday, February 5, 2011

My week in media: Jan. 31 - Feb. 5


Allow me to take you back---to the days before the blizzard, to before the media overload on my days off from work, to the desert. This desert is dry and wide, and in this desert, characters' consciousnesses expand and go underground, to a lair in which the deformed people live. El Topo (the mole) wants to free these people, but will the town understand? 

El Topo, often called the first of the Midnight Movies, has this loose plot, but the thrust of the movie is the symbolism. Everything is symbolic. A nude boy (and later, a foxy tour guide) rides on the back of El Topo's horse, accompanying him on duels with desert gun masters. Did Alejandro Jodorowsky (director, lead actor, writer, etc. of El Topo, also responsible for the insane Holy Mountain, also responsible for being a bad mf'r from Chile, like this guy) merely throw together suggestive images and scenes for the audience to unpack, as it might seem, or is everything in El Topo, all of the Christian symbolism, intended? I'll give the mastermind the benefit of the doubt; the content is deliberate and intentional. On the other hand, there are a lot of random pools of blood, the kind that looks like fruit punch, inexplicable nudes, and weighty gun battles. Take some acid, smoke weed, find out for yourself. Or watch it in pieces on the treadmill as I did.

J.D. Salinger is back in the news again with a biography called J.D. Salinger: A Life. Turned me on to the idea of finishing his small bibliography. Raise High the Roof Beam, Carpenters and Seymour: An Introduction had this reputation in my head for being the weakest of his work, but even if that's true, it's still a killer collection. The first story takes place in a limo and later in Seymour and Buddy Glass's apartment. Salinger uses dialogue to overcome the lack of action and restricted setting, and the Maiden of Honor is a character for the ages---imposing and arrogant. Seymour: An Introduction is also narrated by Buddy. Buddy takes his time, often stepping away from the page to sleep or do something else, to (imagine that!) introduce the reader to Seymour. Think stream-of-consciousness, the Beats, investigation of the purposes of writing, and the role of the reader. He ends by describing Seymour's physical appearance. It's tough but worth it.

Not much happening on the music front. I took up the task of listening to iTunes songs last played 2005-2009, and so I've been revisiting stuff. Here's the new Cold Cave track.

Sunday, January 30, 2011

My week in media: Jan. 23-29


The biggest shame in Haruki Murakami's Kafka on the Shore is that the title song, performed by Miss Saeki, doesn't exist. Maybe I'll have to write some music for the lyrics. In Kafka, two cosmically-connected characters converge on Takamatsu, Japan. Murakami reminds us that crazy and unrealistic shit should happen in fiction. Nakata, an old man, talks to cats, and Kafka, a teenager, untangles an Oedipal curse put on him by his father. Also, Kafka listens to Prince several times in the story. 

Getting severely pumped for the new album by Heidecker & Wood. Tim Heidecker of Tim & Eric is vocalist and lyricist. Wood provides the cheesy lite.fm rock. Two songs have come out: "Weatherman" and "Wedding Song." "Wedding Song" appeared for the first time late last week. In it, Tim proposes marriage. "Weatherman" first dropped in 2009, so maybe you've heard it. The song's protagonist worries about his alcoholic friend, Barry, amidst swirling Rhodes piano chords, a provocative bass part, and guitar/flute solos. So many funny lines. One of my most-anticipated records of 2k11.

Barry, when are you gonna grow up and finally put those brandies down?

Saturday, January 22, 2011

My week in media: Jan. 16-22


My parents see one "important" film each year. They like films with Oscar-buzz, films that are uplifting and not totally out there, and films based on true events. Think Slumdog Millionaire and The Blind Side. This year, obviously, Black Swan is out. My dad doesn't get Facebook, so why would he see The Social Network? Mom doesn't want to see True Grit. Fortunately, I found the perfect film for their annual foray into cinema, and it is called The King's Speech.

Colin Firth rocks the casbah as King George VI, the stammering English king with WWII to worry about. Geoffrey Rush is his speech coach. Man, if Geoff doesn't win the Best Supporting Actor Oscar, I won't be surprised, but I'll act like I am. This film might make stammering, or stuttering as I've always called it, a hot cause for a hot minute, and it's great as the focus in the film, but there's more going on here. There's Daddy Issues and Brother Issues. George, or "Bertie" as Lionel insists on calling him, is one of the first politicians to reign entirely in the radio age. He can't fake speeches. He's gotta talk, and therein, my friends, lies the drama.

The Smith Westerns are garnering all sorts of attention with their new album, Dye It Blonde. The Pitchfork review says they went all Britpop. Maybe so (no), but I still get a strong Bowie vibe from "Smile," my favorite song on the record that isn't "Weekend." They're young, their jeans are ripped, and there is a great career in store for them. And that, folks, is how you use grammar.



A lot of L-7 Weenies didn't like Ricky Gervais's performance at the Golden Globes. See for yourself.


Another weekend, another trip to Hot Doug's. Another brewery. Go Bears.

Saturday, January 15, 2011

My week in media: Jan. 9-15

It's already been one year since Jay Reatard died. That day fucked me up. His music moved me, and he had the trait that separates great musicians from the pack; he was prolific. I made a pact with J. Wilmes to see Jay each time he passed through town, and I saw him three times. Classic songs. There's "Screaming Hand." Jangly guitars open this bad mother, but then the chorus hits you with some flying-V noise and the poppiest chorus. But instead, I got a man with an empty beer bottle and a screaming hand. (Not on youtube- this is why I need a tumblr- nah fuckthatshit fuckthatshit, ya know the song anyway).

And then there's "Not a Substitute." Verse, chorus, verse, chorus, done. Seven words to the lyrics pack a big emotional punch.



PS - The new Smith Westerns record is hot hot, and I learned about them when they opened for Jay. Real shit, that is real.

Sunday, January 9, 2011

My week in media: Jan. 2 -8

In this new feature, I will recap what I heard, read, and watched during the past week. That way, I'll be able to collect my thoughts at the end of the year, or whenever, really. You might find something you like, too.

The song I listened to most came from this mix by renowned guitarist Mark McGuire. It's called "Tossing and Turning," and it's by Windjammer. The 12-inch version is best for its extended intro, but for your sake, I'll embed a live performance replete with 80s wear, flashing lights, a mostly white crowd, and the literal interpretation of the lyric I wiggle in my sleep by the dancing frontman. Disco-influenced funk for fans of Prince and big hooks.

 

I finished John Kennedy Toole's A Confederacy of Dunces. I seldom laugh when I read, but this novel cracked me up more than nine times. Its protagonist is the unforgettable Ignatius Reilly, a fat and crazy guy from New Orleans who drives everyone crazy. 

Finally, I listen to NPR now. I am learning about so much more than buzzbands and foreign films, although I can learn about those things on NPR, too. Have a good week, friends.